Cyrus Kabiru is a self-taught Kenyan artist who works in various mediums including painting and sculpture. He is best known for his Afrofuturism series, C-Stunners, an ongoing project consisting of elaborate eyeglasses that are imaginatively constructed out of found objects and recycled trash. These wearable sculptures, part fashion statement part social-political commentary, capture the sensibility and attitude of the youth generation in Nairobi. They portray the aspiration of popular culture bling and reflect the ingenuity and resourcefulness of people. The lenses are a metaphorical filter providing a fresh perspective of the world.
Twitter’s lack of algorithms to control the display of content means that posts are elevated in popularity only by the people who favorite, Retweet, and share screen captures of impactful or informative messages. Such a structure allows the insight of the observant but relatively unknown amateur, alongside high-profile and highly educated (another population that uses Twitter in high volume), to stand alongside one another